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BRENDA COULTAS, POONEH MAGHAZEHE, MAX WARSH, Jan 1- Feb 17, 2018

Momentarily by Brenda Coultas

“We are held here momentarily”
said the conductor,
on an island off the coast of Manhattan
by the silhouette of an asylum, where they make skeleton keys
out of rainbows, and out of actual skeletons
from the catacombs of the Marble cemetery
where people turn into greek marbles
like a game of statues
industrial green
umbrellas are made here
rib by rib
and shoes, this an island of cobblers of roman sandals.
and we are held here monetarily,
mortality.

BRENDA COULTAS, POONEH MAGHAZEHE, MAX WARSH, Jan 1- Feb 17, 2018

Momentarily by Brenda Coultas

“We are held here momentarily”
said the conductor,
on an island off the coast of Manhattan
by the silhouette of an asylum, where they make skeleton keys
out of rainbows, and out of actual skeletons
from the catacombs of the Marble cemetery
where people turn into greek marbles
like a game of statues
industrial green
umbrellas are made here
rib by rib
and shoes, this an island of cobblers of roman sandals.
and we are held here monetarily,
mortality.

Install11.jpg
Install12.jpg
Max Warsh, "Mysterious Sympathy (blue)", 2017

Max Warsh, "Mysterious Sympathy (blue)", 2017

cut photographs on panel
12 x 24 inches

Pooneh Maghazehe, “Box Frieze of David”, 2018

Pooneh Maghazehe, “Box Frieze of David”, 2018

Cardboard box, waterbased clay, LED clamp light, resin, hardware
24” x 12” x 10 1/2”

Pooneh Maghazehe, “Ross Half Double Head”, 2018

Pooneh Maghazehe, “Ross Half Double Head”, 2018

Hydrostone and acrylic paint
16” x 9” x 9”

Max Warsh, "Reading While Moving", 2018

Max Warsh, "Reading While Moving", 2018

cut photographs on panel
24 x 48 inches

Install10.jpg
Brenda Coultas, "Momentarily" (Poem)

Brenda Coultas, "Momentarily" (Poem)